Theo Koning, The Divine Labour The Great Secret, 1985, pen, ink, and gouache, 56.5 × 76.5cm (sheet and image)
The State Art Collection, Art Gallery of Western Australia. Purchased for the Guy Grey-Smith Memorial Collection, 1986
Photograph: Bo Wong
Courtesy Art Gallery of Western Australia, Perth
Works on show include Douglas’ Are we there yet (study), 2025, which renames Australia’s major cities with their correct First Nations language reference.
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At Australian Galleries in Sydney and Melbourne, Wayne Eager and Ayako Saito use abstraction, rendered in a multitude of hues and form.
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Tasmanian figurative painter Nathan Grey is known for using minimal marks to capture a person’s gaze, gesture, and mood.
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