Through watercolour landscapes, painted artefacts, drawings, and stories on silk, twenty Iltja Ntjarra artists explore how families are connected through history, place, community and ancestral stories....
Tag Archives: Jeremy Eccles
Margo Lewers: no limits
In all aspects of her life "she embraced modernism not as a style but an ideology for a new way of living."...
Sidney Nolan: Myth Rider + Heather B Swann: Leda and the Swan
Artists Sidney Nolan and Heather B Swann offer a rich mythopoetical approach and fresh perspective of past and present, legend and history, masculine and feminine....
Timo Hogan: Lake Baker
Spinifex man Timo Hogan's desert homeland triptych, Lake Baker, is a spiritual narrative of the landscape that documents his ancestral ties to Country: 'That's because it's my place. My father's place.'...
Found and Gathered: Rosalie Gascoigne | Lorraine Connelly-Northey
Rosalie Gascoigne and Lorraine Connelly-Northey are known for their transformative use of found and discarded objects to create works of art that challenge our understanding of the landscape, and Country....
WARWAR: The Art of Torres Strait
'WARWAR' showcases the evolution and strength of Torres Strait Islander tradition and society through a diverse range of works by arts practitioners from the 19th century to the present....
Unfinished Business: The Art of Gordon Bennett
A fresh insight into the work of artist Gordon Bennett (1955-2014), including new interpretations of his intelligent synthesis of influences and ideas and globally recognised contribution to contemporary art....
Tarnanthi 2020: Open Hands
Jeremy Eccles reviews the Tarnanthi 2020 exhibition catalogue which captures the vibrancy and artistic depth of the year’s focus exhibition, Open Hands. ...
Looking Glass: Judy Watson and Yhonnie Scarce
'Looking Glass: Judy Watson and Yhonnie Scarce' is both a love song and a lament for Country; a fantastical alchemy of the elemental forces of earth, water, fire and air. Jeremy Eccles previews the show....
Reader Reflections: Looking Ahead – Part II
Hindsight is 20/20. So, we asked artists and people working in the arts how 2020 has fractured or evolved their approach to creative life and what they would like to see change for the better in the arts....
the moment eternal: Nyapanyapa Yunupiŋu
For over two decades Nyapanyapa Yunupiŋu has worked from the remote community of Yirrkala NT, creating significant paintings, drawings, sculptures and screen-based works. This exhibition charts the evolution of her practice....
Mavis Ngallametta: Show Me The Way to Go Home
'Mavis Ngallametta: Show Me The Way to Go Home' 'will be an eye-opener,’ insists Sydney art dealer, Martin Browne. ‘No other Australian painter has had a full third of their output bought by public institutions.’...