Artists on show in ‘@50’, including Brook Andrew, whose protean approach to art-making was demonstrated in his powerful recent solo exhibition at the National Gallery of Victoria, ‘The Right to Offend is Sacred’, are of notable critical standing....
They sometimes 'riff' on each other, in other instances they stand alone. In sum these instances of the artist's vision are a richly chaotic oscillation between the focused and the sprawling, the profound and the banal, the built and the natural....