Clare Belfrage presents a series of new and existing glass sculptures that explore her fascination with the industry of nature, its rhythm and energy, and the contrasting dramatic and delicate sensibilities found in the details of the landscape. The intimate framing of her sculptures within the Adelaide Railway Station’s historic phone booths brings into focus each series as a singular scene and experience of the natural world, echoing the rapidly shifting views from within a train as it travels across the landscape.
Clare Belfrage, Quiet Shifting, Orange and Oceana, 2018, blown glass with cane drawing, sandblasted and pumice polished, 64 × 38 × 21cm. Photograph: Pippy Mount. Courtesy the artist and JamFactory, South Australia
JamFactory at Adelaide Railway Station
30 November 2021 to 4 April 2022
South Australia
