Select Exhibitions
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Heavenly Beings: Icons of the Christian Orthodox World
More than 140 devotional objects depicting saints, virgins and other Christian holy subjects together reveal centuries of spiritual and aesthetic tradition.
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Paul Davies: Memory Lens
Paul Davies explores, with his characteristic painted and collaged aesthetic, images that capture his memory and perceptions as a resident of LA and, more recently, Queensland’s Sunshine Coast.
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John Nixon: Four Decades, Five Hundred Prints
'John Nixon – Four Decades, Five Hundred Prints' is the first comprehensive survey of prints by artist John Nixon (1949–2020).
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Photography: Real and Imagined
More than 200 works by Australian and international photographers and artists working with photo-media from the nineteenth, twentieth and twenty-first centuries.
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Wildlife Photographer of the Year
Featuring over 100 images by some of the world's best wildlife photographers capturing animal behaviour and collective biodiversity.
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A Room of One’s Own – Women In Still Life
An exhibition of strength and vitality, honouring the tradition of women working in still life with a group of artists practising the genre today.
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Louise Meuwissen: Of Earth and Ether (Flowers never bend)
This exhibition aims to make manifest elements of the ineffable. With devotion, joy and solemnity, Louise Meuwissen considers mortality and the eternal.
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Strange Nature
Contemporary artists display the weird and wonderful facets of the natural world that inspire their versions of plants and animals.
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Memphis Now
Six contemporary artists capture the spirit of the 1980s design movement known as Memphis, which challenged conventional notions of design and good taste.
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Rituals and Methods
The ritualisation of layering, folding, disassembling and reassembling in artmaking, methods intertwined in colour, pattern, form, tone and temperament.
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Lucienne Rickard: Threads
Lucienne Rickard's recent drawings continue the themes she has been exploring over previous exhibitions, such as beauty, death, brutality, and obsession.
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