Previews
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In conversation with . . . José Roca
“We are just one of the voices, the one that has caused the most problems, and we need to acknowledge that and start to be more aware of the impact we are having on the environment.” – José Roca
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David Noonan: Only when it’s cloudless
'Only when it’s cloudless' presents predominantly new works including a major new sculptural installation; the artist’s first 16mm film since 2001; two major new tapestries; and several new collages on linen.
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Hoda Afshar: Speak the Wind
Hoda Afshar explores the world through the lens of her camera, with a focus on bringing issues of visibility and representation of the marginalised into view and revealing hidden truths.
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In the studio: John Aslanidis
John Aslanidis’ canvases are composed using a set of mathematical intervals, not unlike a musical score, in a contradictory process of order and chaos.
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Collection+ Louise Rippert/Steve Carr: Forms for Remembering
'Forms for Remembering' is “an interflow of ideas and explorations that echo the relevance of time and the role it plays in memory, transformation, and existence.”
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2022 Adelaide Biennial of Australian Art: Free/State
Dr Joseph Brennan speaks with curator Sebastian Goldspink about the works of Free/State – twenty-five artists’ diverse conversations of national concern.
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Marikit Santiago: For us sinners
“It’s important for me to represent the Philippine diaspora and Western Sydney. I think the more I explore my identity, the more I am confident, or the more I seek to really represent those communities that I’m part of.” – Marikit Santiago
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In the studio: Rona Green
Fuelled by a fascination with the animal, Rona Green explores ideas about persona, transformation and the absurd.
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In the studio: Celeste Chandler
Sophia Halloway speaks with Melbourne-based artist Celeste Chandler about her her latest body of work created in her kitchen-cum-studio space.
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In the studio: Te Kahuwhero Alexander-Tu’inukuafe
Aotearoa (New Zealand) artist Te Kahuwhero Alexander-Tu’inukuafe creates strong yet intricate lines, shapes, and connectors that form both an individual and familial narrative inspired by te ao tuturu (the natural world).
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Blue Assembly: Oceanic Thinking
'Oceanic Thinking' invites you to consider how we may be able to think together with these liquid, vast, biodiverse and non-binary spaces to speculate on our collective future.
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Elizabeth Pulie: #117 (Survey)
For over three decades, Sydney-based artist, writer, and teacher Elizabeth Pulie has been “making art about art” with a philosophical approach and conceptual practice, challenging the criticalities of “what art is?”.
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