Since 1973, the Biennale of Sydney has provided a global platform for art and ideas by showcasing the work of over 1,800 artists from more than 100 countries and commissioning and presenting innovative, thought-provoking art from Australia and around the world – and for the 22nd iteration, Brook Andrew will take the reigns as Artistic Director.

Brook Andrew
An artist of the Wiradjuri Nation with Celtic ancestry, Andrew has exhibited nationally and internationally since 1996, examining dominant narratives, specifically those relating to colonialism, placing Australia at the centre of a global inquisition. His creative practice harnesses alternate narratives to assemble new understandings of historical legacies and offers new ways of inheriting and being in the world today. Andrew was a participating artist in the Biennale of Sydney in 2010 and 2018, and he has also participated in the 9th Shanghai Biennale and the Echigo-Tsumari Triennial, Niigata Prefecture (2012); 8th Asia Pacific Triennial of Contemporary Art, Brisbane, and Asian Art Biennial, National Taiwan Museum of Fine Arts, Taichung (2015); and the Yinchuan Biennale, Museum of Contemporary Art (MOCA), China (2016).
Andrew described his appointment as an honour:
‘As Artistic Director, I am interested in shining a light on the active, stable and rich pre-existing collaborations and connectivity of Indigenous and Edge cultures. I aim to work together with artists, collectives and communities, from Australia and around the globe, to reconfigure the world as we see it and reveal rich local and global rhizomes and unique individual cultural expressions in one place.’

Brook Andrew, Jumping Castle War Memorial, 2010, vinyl inflatable, 400 x 700 x 700cm. Installation view of the 17th Biennale of Sydney (2010) at Cockatoo Island. Photograph: Ben Symons. Courtesy the artist and Tolarno Galleries, Melbourne
Andrew’s rich, research-based practice and museum and archival interventions have activated alternative histories and made forgotten stories visible in exhibitions at Museo Nacional Centro de Arte Reina Sofia, Madrid; Musée d’ethnographie de Genève, Geneva; Musée du quai Branly, Paris; and Van Abbemuseum, Eindhoven. In 2012, he curated the highly regarded exhibition, TABOO, at the Museum of Contemporary Art Australia whilst in 2014, he worked closely with the collections of the Museo Nacional Centro de Arte Reina Sofia, Museo de América and Museo Nacional de Antropología in Madrid for the exhibition Really Useful Knowledge curated by WHW at the Museo Nacional Centro de Arte Reina Sofia. His immersive installation titled A Solid Memory of the Forgotten Plains of our Trash and Obsessions reflected on Spanish, British and Australian history and colonialism.
In 2017, Andrew was the recipient of the prestigious Smithsonian Artist Research Fellowship (SARF) focusing on the Frontier Wars of the United States of America and Australia and was appointed Photography Residencies Laureate at the Musée du quai Branly, Paris. He recently completed a year-long Australia Council International Residency at the Künstlerhaus Bethanien in Berlin where he reflected on the complexity of memory sites in Germany. His distinguished 25-year career was recently recognised with a large-scale, immersive exhibition at the National Gallery of Victoria, Australia.
Andrew is presently concluding an ambitious, three-year-long Australian Research Council grant, Representation, Remembrance and the Memorial. This project responds to calls for a national memorial to Aboriginal loss during the Frontier Wars, a series of conflicts between Indigenous Australians and European settlers from 1788 to the 1930s. It will culminate in an international forum which will address how architects can work with local communities in addressing trauma and memory.

Brook Andrew, What’s Left Behind, 2018 (detail), mixed-media installation. Installation view of the 21st Biennale of Sydney (2018) at the Museum of Contemporary Art Australia. Photograph: Zan Wimberley. Courtesy the artist, Tolarno Galleries, Melbourne, Roslyn Oxley9 Gallery, Sydney, and Galerie Nathalie Obadia, Paris and Brussels
‘The artist is at the centre of our work at the Biennale of Sydney. We are therefore delighted to announce the appointment of one of Australia’s most distinguished artists, Brook Andrew, as Artistic Director of the 22nd Biennale of Sydney, said Kate Mills, Chairman of the Biennale of Sydney. ‘He has consistently modelled national and global collaboration and the sharing of knowledge in both his artistic and exhibition-making practice.’
Mills further noted that ‘the Biennale of Sydney offers an exciting geographical perspective for debate, controversy and cutting-edge discussions. As we collectively face an increasingly complex future, we are proud to celebrate the substantive, transformative creative practice of Brook Andrew as he imagines alternative visions for the future.’
Andrew was selected for the role of Artistic Director by a search committee which included among its members Dr Sook-Kyung Lee, Senior Research Curator at Tate Research Centre: Asia, London; Suhanya Raffel, Executive Director, M+, West Kowloon, Hong Kong; and Aaron Seeto, Director MACAN Museum, Jakarta. The Biennale of Sydney also consulted closely with Exhibition Partners Art Gallery of New South Wales, Artspace, Carriageworks and Museum of Contemporary Art Australia.
Jo-Anne Birnie-Danzker, Director and CEO of the Biennale of Sydney, commended Andrew stating that ‘the Biennale of Sydney plays an indispensable role in Australia’s engagement with the world, and a meaningful role in the life of the nation. In 2018, it attracted visitation of more than 850,000, the highest level in the Biennale’s 45-year history. Brook Andrew’s commitment to alternative narratives and new understandings of historical legacies will further strengthen the Biennale’s commitment to the rich, diverse communities it serves, nationally and globally.’