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Nadia Hernández
Here, Nadia Hernández draws on her own stories, Venezuelan cultural archives, and the diasporic conditions that shape her sense of belonging.
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Hany Armanious: Empathy Chart, 2009
Empathy Chart, a replication of a discarded noticeboard, is “a kind of manifesto for Armanious’s approach to sculpture,” says Laurence Sillars.
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Proofs and Processes: The Kenneth Tyler Collection
The Ken Tyler legacy lasted almost five decades and redefined what was possible in printmaking.
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