As the exhibition title suggests, these works consider the corporeality of memory and how our bodies navigate space. The artist’s photo collage and site-specific video is a vehicle to juxtapose, literally and conceptually how the human form can have a symbiotic relationship to architecture as well as miscalculate a step. This solo-project deepens Croggon’s engagement with Henri Lefebvre’s conception of space as a product of the social human body to the context of the gallery.
Zoë Croggon, Untitled #2, 2015, collage of Giclée print, 65 x 46cm. Courtesy the artist, Daine Singer, Melbourne and Gertrude Contemporary, Melbourne
Gertrude Contemporary
Until 22 April, 2017
Melbourne
