Oscillating between past and present, this Bridget Currie exhibition features new works that trace the residue of experimental art practice within FUMA’s 1960s and ’70s Post-object and Documentation Collection. Led by curator and researcher Sasha Grbich, together, Grbich and Currie foreground artists such as Alison Goodwin, Eva Man-Wah Yuen, and Poppy Johnson, alongside earlier works by Dorothy Thompson and Bonita Ely, whose performative and environmentally attuned practices resonate with Currie’s own.
Currie has also developed strategies for ‘unfolding’ the collection, engaging its ephemeral materials.
Flinders University Museum of Art
27 April to 19 June 2026
South Australia
Bridget Currie, Dot pieces, 2025–6, papier-mache, air dry clay, linen, acrylic paint, glue, cap, glasses frames, foam, after costumes by Dorothy Thompson / Photograph: Sam Roberts / Courtesy the artist and Flinders University Museum of Art, South Australia
