Samara Adamson-Pinczewski’s practice focuses on the relationship between abstract painting, architecture and urban space. For ‘Spatial Persuasions’ the artist presents a new series of 2D and 3D painted, geometric constructions on aluminium, paper and plywood, inspired by the Oblique in Brutalist architecture of Paris. In exploring ambiguous spatial readings of the reflective materials, reductive forms and askew linear structures of these buildings, Adamson-Pinczewski creates her own scintillating colour and delicately subtle surfaces in unison with extremely irregular, yet engaging, pictorial compositions.

Samara Adamson-Pinczewski, Study for Sainte-Bernadette 1, 2017, acrylic, iridescent acrylic and fluorescent acrylic on aluminium sheeting, 37 x 45cm. Photograph: Gavin Hansford. Courtesy the artist and Charles Nodrum Gallery, Melbourne
Charles Nodrum Gallery
Until 14 April, 2018
Melbourne