Select Exhibitions
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James Nguyen: SÔNG SỐNG SONG
Sydney-based James Nguyen examines the lingering effects of the chemical Agent Orange and its presence in the Parramatta River.
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A(GAP)E— mesmerized by some / thing … Aleks Danko a reflection 2016–2026
A distillation of Danko’s critique of the conventions governing the making of art, and how and where it is encountered, perceived, and read.
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May 2026 Editor’s pick: Poetry goes no further than language: A historical moment of art becoming art again
This bilingual exhibition examines the emergence of conceptualism in China during the mid to late 1980s and early ’90s.
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Marks for Mundaring
Marks for Mundaring is a selection of works acquired between 1986 and 2026 celebrates forty years of local artist contribution.
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Michaela Gleave: Event Horizon
Sydney-based artist Michaela Gleave’s practice spans installation, performance, sound, video, photography, sculpture, and digital and online works.
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Of This Earth: Transforming Culture and Country Through First Nations Ceramics
A National Gallery of Australia touring exhibition, Of This Earth celebrates the breadth of First Nations ceramic practice across Australia.
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Jimmy Tjapangarti Tchooga
These new works on paper by Jimmy Tjapangarti Tchooga grow directly from the artist’s engagement with the Birrundudu Drawings.
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Michelle Teear: Expansion
In Expansion, rocky outcrops and quiet waterholes become contemplative gateways to inner landscapes – cracked escarpments shaped under pressure.
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Ham Darroch: Harp Frequency
In Canberra-based artist Ham Darroch's work, syncopated rhythm and quiet harmony in colour and form invoke an uplifting experience.
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Sandra Kaji O’Grady: Boding
New South Wales artist Sandra Kaji O’Grady’s practice investigates gaps and overlaps between text-based systems of meaning and visual codes.
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John Dent: Gouaches
Turning to the freedom and spontaneity of gouache, John Dent – known for his painting and printmaking of intimate interiors – ventures into the landscape.
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Brenton Drechsler: Stripes 6 – Open Doors
Brenton Drechsler’s new body of paintings shifts from foreign urban streetscapes and vintage vehicles to the interiors of his own home.
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